Microreview: Seeing Anew
- Date
- 2020 August
- Subtitle
- Gabriella Disler reviews Tuerlinckx, Joëlle. Lexicon & WOR(L)(D)(K) in PROGRESS ? (2012)
- Type
- microreview
- Author / Publisher
- Gabriella Disler for NewsLibrary
- Author Info
Gabriella Disler is an artist based in Basel, Switzerland. She holds a Master of Artistic Research & Design, Sint Lucas, Antwerpen BE and an MA Fine Arts – Public Sphère (édhéa, Sierre, CH). gabrielladisler.ch
- Language
Deutsch / English
- Also published here
Newsletter No. 25
What if artistic research is an unceasing, constant engagement in the process of working; in the work of continuously seeing anew what we've already done?
Tuerlinckx' practice often focuses on interior design and spatial situations. Her works are variable, fixated only momentarily; they are subject to a constant process of citation, reinsertion and readjustment. In the publication 'Lexicon' (Fr. & Eng.) Joëlle Tuerlinckx structures the materials used in the exhibition as in a classification system. Forgotten or discarded objects and the materials used are noted down in poetically interwoven texts. Tuerlinckx links everything together, yet each piece retains its own texture and individuality.
By using the experience and knowledge of her artistic practice and linking them on multiple, diverse levels, Tuerlinckx constantly reflects and quotes her own practice. Her artistic research is a continuous search, wherein she takes on several roles and appears on various stages–artist as collector, curator, scenographer and spectator–while remaining an artist. 'Lexicon' provides manifold connections. In WOR(L)(D)(K) in PROGRESS ?, Tuerlinckx guides and forces herself and the audience to see something new from every standpoint in an exhibition.
An infinite art research, its constant, the persistent search: art-work as artistic research. “The exhibition a way of seeing, of advancing as if with eyes closed.” (Quote: Joëlle Tuerlinckx)
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Was, wenn künstlerische Forschung ein unaufhörliches, ständiges Engagement im Arbeitsprozess ist; in der Arbeit, ständig neu zu sehen, was wir bereits getan haben?
Tuerlinckx' Praxis konzentriert sich oft auf Innenarchitektur und räumliche Situationen. Ihre Werke sind variabel, nur kurzzeitig fixiert; sie unterliegen einem ständigen Prozess des Zitierens, des Wiedereinfügens und der Neuanpassung. In der Publikation 'Lexicon' (Fr. & Eng.) strukturiert Joëlle Tuerlinckx die in der Ausstellung verwendeten Materialien wie in einem Ordnungssystem. Vergessene oder ausrangierte Objekte und die verwendeten Materialien werden in poetisch verwobenen Texten notiert. Tuerlinckx verbindet alles miteinander, dennoch behält jedes Stück seine eigene Textur und Individualität.
Indem sie die Erfahrung ihrer künstlerischen Praxis nutzt und sie auf mehreren, unterschiedlichen Ebenen miteinander verknüpft, reflektiert und zitiert Tuerlinckx ständig ihre eigene Praxis. Bei ihren Recherchen nimmt sie mehrere Rollen ein und tritt auf verschiedenen Bühnen auf - als Sammlerin, Kuratorin, Szenographin und Zuschauerin - und bleibt zugleich Künstlerin. Lexikon' bietet vielfältige Verbindungen. In WOR(L)(D)(K) in PROGRESS ? lenkt und fordert Tuerlinckx sich selbst und das Publikum auf, in einer Ausstellung aus jedem Blickwinkel etwas Neues zu sehen.
Eine endlose künstlerische Recherche als beharrliche Suche: art-work as artistic research. “The exhibition a way of seeing, of advancing as if with eyes closed.” (Zitat von Joëlle Tuerlinckx)
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